Social media marketing, and why we shouldn’t talk to strangers

Public service message: please don't push strangers in front of oncoming trains (by freshelectrons on Flickr)

Public service message: please don’t push strangers in front of oncoming trains (by freshelectrons on Flickr)

When we’re using push channels like display ads, direct marketing or pull channels like websites or search marketing — numbers are what count, and numbers are enough. But when we are talking about social media channels, we shouldn’t target strangers. Instead, we should look at our existing relationships and learn how to make the most of these to our mutual benefit.

I don’t know whether you’ve had the experience of meeting someone famous in an ordinary context (in the street, say, or in a supermarket queue). I have.

It is a profoundly disturbing experience. For a split second your brain tells you that this is someone familiar but not why. Since you’re not expecting to meet David Bowie in your video store, your brain leaps to the most probable conclusion — this is clearly an old acquaintance or a friend-of-a-friend. By the time you realize who it is, you’ve already been staring at them too long, possibly waving and beginning to say hello.

What’s unnerving about this experience of course, is the asymmetry of the relationship; you know who they are (and possibly even some intimate details of their private lives) but they have no idea who you are. For all that you think you know them, you are in fact complete bloody strangers.

The circle of complete bloody strangers

At Porter Novelli, we’ve been trying out a new way of helping people think about the targets for our social media activities. Targeting in social media is one of the many places where conventional marketing experience fails to help; and indeed, generally hinders. For want of a better name, I’m calling it the “circle of complete bloody strangers.”

This may not be the most elegant name, but it does help simplify the problem. Here’s the synopsis: in traditional on and off-line marketing disciplines, planners like me tend to play a numbers game. We’re looking to reach the greatest number of people who will be receptive to our message, and (whether behavioural or demographic) we define our targets accordingly. And so, we spend nearly all our time crafting our messages and campaigns for complete bloody strangers.

The circle of complete bloody strangers

Targeting strangers

Agencies do everything we can to get to know our target audience. At Porter Novelli, for example, we follow a process that has us (among other things) conducting desk research, running focus groups and interviews with representatives from the audience, and doing mystery shopping. At one of the wackier ad agencies where I used to work, there were workshops where hypnosis was used to break down barriers and aid rôle-playing exercises.

But however well we get under the skin of our target (say “C2DE mothers with young families”), they remain complete bloody strangers.

You might recognize them in the street, say, or in a supermarket queue – but like the celebrities whose lives you follow in the news – they have no idea who you are.

Social media marketing and social currency

There is (to my knowledge) no single precise definition of social media marketing. Many, I think would agree that it involves something like “using blogs and podcasts and social networks and media sharing sites and stuff to promote a product or service,” but that’s hardly precise.

Some would argue that simply buying advertising on a blog/podcast/social network meets the requirements, others would say that it doesn’t.

As a broad digital comms planner, I tend not to fall one way or the other, but suspect that if buying media or sponsorship was all that it took, we should all have stopped worrying and gone home by now.

I suspect that when we talk about social media marketing, we mean something like “generating word-of-mouth buzz and recommendations – whether for a product or a campaign promoting that product.”

I believe that we’re trying to use existing social relationships between colleagues, friends, tribes, and niche interest groups as the pathways along which we disseminate information. This isn’t as sinister as it sounds; we know that people use brands and branded content as what Douglas Rushkoff calls “social currency.” Content, he says

…only matters in an interactive space or even the real world … because it gives us an excuse to interact with one another. When I was a kid, we’d buy records not solely because we wanted to hear whoever was on them; we wanted an excuse for someone else to come over! “What are you doing after school? I got the new Stones’ album…”

In this sense, our content choices are just means to an end – social currency through which we can make connections with others.

So — in Rushkoff’s terms — what we’re doing when we do “social media marketing” is stamping new coins that can be released into the general circulation.

At Porter Novelli, my mantra is that “people want to promote themselves, and may be prepared to let you help.” This helps me remember that, however important my client’s campaign appears to me, my audience’s motivation is markedly different.

Why we shouldn’t talk to strangers

Take a look at the target diagram again. Normally I scrawl this on a flip chart and tell the story as I’m going along. The circles aren’t precise, and I often draw them differently depending on context, but these things are consistent: you are always at the centre of the target, and the outer circle is always defined as “complete strangers”.

The circle of complete bloody strangers

Now ask yourself – who’s most interested in what you have to say, and who is most likely to repeat it in subsequent conversations? I’d say that the progression goes something like:

  1. You (naturally.)
  2. People you’re close to (friends, family, and colleagues for example.) If you can’t get these people interested in what you have to say, what hope do you have?
  3. Your “ecosystem”; people who depend on you economically – whether suppliers or employees or retailers who carry your product or developers who develop for your platform. Trade and specialist bloggers and journalists fit in somewhere around here.
  4. People who have a strong relationship with your product, tailing off from advocates to simple repertoire purchasers (people who regularly — but not exclusively — buy your product.)
  5. Complete bloody strangers.

Let’s take an example.

  1. The people who will be most interested in the launch of your new FMCG ad campaign will be people who work with you and at the agency who created it.
  2. People at other agencies will also be interested in the campaign, so it’s a good thing that there are lots of inter-agency relationships. And so will your friends and family — they like seeing what you’ve been up to and will tell their friends.
  3. The retailers who stock your product will naturally be excited to hear that there’s a campaign coming. And Campaign and Ad Age are always hungry for content.
  4. If you’re smart, you’ll have run test campaigns among your customer database of people who have asked to receive information. Asking their opinion makes them feel involved, and means that they’ll feel a little pride-of-ownership when the campaign does launch. “I helped with that,” they’ll say to themselves, and maybe to their friends.
  5. If your media plan and creative are any good, you’ll create a stir among the complete strangers.

Do you see what I mean? As you move further and further out, the more tenuous the connection, and the less certain the response.

Another thing to bear in mind; the further away you are from the middle of the target, the more noise you encounter. By the time you’re out in the complete strangers circle, you’re just another voice making demands on their time.

So why do so many of the campaign ideas I come across require the active involvement of complete bloody strangers for them to be successful?

Let’s host a competition on YouTube where people send in films about our product! Wheeee!

Let’s create a community! Wheeee!

Let’s send out a short film and hope that people will send the link to each other! Wheeee!

Let’s make a Facebook app! Wheeee!

None of these ideas is inherently wrong from the traditional marketing point of view. As an industry, we are (rightly perhaps) judged by total exposure to our campaigns. For most channels, numbers are what count, and numbers are enough.

But how on earth can we hope to influence the social networks of complete bloody strangers when we aren’t even making proper use of our own?